Year in Review

Ok, January is almost done, and these type of posts normally happen in the beginning of the New Year when motivation is high. I got lazy sue me ;).

While I may have be lax in getting this blog post out there, I think my writing output for 2019 was a success. I wrote a metric tonne of drabbles (100 word stories) in 2019, and they’re not as easy as a person might think. Telling a story with an exact limit of one hundred words can be a challenge if you’re a person who babbles, I’m just lucky that Black Hare Press likes mine.

Black Hare Press is a small publisher from Australia that I found last year. They have seen fit to feature me in several of their drabble anthologies and short story collections and I hope to continue submitting to projects that excite me.

If BHP was new for me, then Engen Books was my ‘tried & true’ publisher of 2019.

I had the honour of being featured in two anthologies from Engen Books this past year in their bestselling “From the Rock” series. You can find my short story “Final Edict”, an homage to Ray Bradbury’s “Fahrenheit 451”, in “Dystopia from the Rock”. I was lucky to have two stories in “Flights from the Rock”, an anthology to celebrate the 100th anniversary of the first transatlantic flight from Newfoundland.

That was 2019, so what does 2020 have in store?

Both Black Hare Press and Engen Books have already announced calls for submissions that look interesting, so I’m sure I’ll be checking them out.

A couple publishers have asked me to take part in projects that I can’t talk about but I’m excited to see where they go.

I plan on putting together two anthologies of my work, one for a fall release and another for the spring of 2021. “The Gallows Tree” follows the life of an Oak Tree from acorn to twisted stump and how human horror stained and twisted this tree throughout its life. I’ve entitled the second collection “Hearts & Hate” and it will feature short stories of twisted relationships set within different genres.

Will everything I plan happen flawlessly? Most definitely not, but a person has to try, and I appreciate you following along.

Should authors judge other authors?

Recently I had the honour to be a judge in Engen Books monthly flash fiction contest (Engen Books/Kit Sora: Flash Fiction/Flash Photography), and this led me to thinking of the process I go through when judging other authors.
Judging fellow authors is both a privilege and a chore, and not one to be taken lightly.

Reading the creative work of others is always exciting, seeing how a group of writers using the same photo prompt in different ways can open your eyes and lead you down roads you didn’t know existed. The flip side is reading stories you know someone has put their heart and soul into, but didn’t grab you in the same way, and you are contributing to their sting of rejection.

Saying all that, would I do it again? Absolutely, and for one simple reason, judging a writing contest makes YOU a better writer. It forces you out of your little bubble and opens new vistas that until now you didn’t know you were missing.

So, if someone gives you the chance to judge a writing contest, how do you go about it? Well, all I can do is tell you the way I do it, what I look for, what I hope NOT to see, and how to keep an open mind.

One of the nice things about judging the Engen Books Flash Fiction contest is that the same photo prompt created by the talented Kit Sora is used by all the authors. If a contest doesn’t have a photo prompt, they usually have a theme/setting/word to guide the creations. Whatever the prompt is, make sure you have it firmly in your mind when reading the submissions. One of my favourite stories I read for this contest had only the tiniest connection to the prompt, and I didn’t rank it as high because of that reason.

As a writer, I love a good title. I’d like to think its something I’m good at, that’s why I was disappointed when I realized a handful of the submissions for this contest had no title whatever. While I didn’t penalize for lack of title, authors are missing an excellent chance to grab their reader, and set the tone for their story.

I prefer contest such as this that have the author’s name scrubbed from the stories, that way there is no chance for unconscious bias to creep in, thankfully Engen Books did all that hard work for me.

I’m a tactile reader, so I printed out all the submissions, got comfortable and read each piece of flash fiction start to finish keeping the photo prompt firmly in my mind. Since this contest had a 250 word limit, it didn’t take long to read each story. For me, first impressions are important, so each story went into one of three piles, Yes/No/Maybe, as soon as I finished it. Once all the stories were read, I walked away from them and let them stew in my hindbrain for a while. When I came back to the stories, I read them all again, and some stories ended up in a different pile.

Things I look for:

Strong title, this is the first thing your reader sees.

A complete story, I want a beginning/middle/end.

I like strong action and/or dialogue, so stories with that ranked higher than others.

Did the story fit the photo prompt? If so, did the author do it in a way I won’t have thought of?

Story mechanics, how was the sentence structure/spelling/grammar? Since all writers make mistakes, and I know my own weaknesses, I don’t judge this harshly, though I look for “filler words”. Every “seems, like, that, very” takes away from your valuable word count when writing flash fiction.

The last thing I do is ask myself if I enjoyed the story? For me, a flawed story I enjoy, ranks higher than a perfectly crafted one that didn’t grip me. The author and/or publisher can polish a gem, but it’s not as easy to light a fire without a spark.

When I was all said and done, I had read each of the submissions at least three times before I ranked them from my most favourite to least. Then I sent them back to the publisher for their consideration and final verdict. I’d read stories that touched and moved me, ones who had gone in a direction I’d never of thought of, and consider myself lucky for the opportunity.

Punching above your weight

The writing community has been a huge asset as a writer. Not only has it allowed me to interact with other writers and learn from them, and share my experiences, but it has given me one of my biggest eye openers.
I was chatting with a writing acquaintance and he asked if I had submitted a certain short story to a top-tier Science fiction & Fantasy publisher, and I had replied I hadn’t, I KNEW the story wasn’t good enough for that market, my skills as a writer were still growing.

I could visualize his hands reach through the inter-webs and shake me as he told me never to self-reject. Perhaps I was right that the story wasn’t what they were looking for, but to always aim high because you might get a pleasant surprise.

Until this point I had been aiming for markets, I thought I could crack into and make a sale. I’m a plotter in my writing and in life, so having a firm foundation to build upon felt like the right course for me. It was only after I visualized my writing “career tower” did I realize that if you put your smaller blocks on the top, you’ll never be able to support the bigger ones.

I realize this knowledge is isn’t new or earth-shaking for many authors, but I don’t think I would have realized this on my own. So if you take anything from this blog post, is that you should punch above your “weight”, and listen to advice in the spirit they intended it.

Writing Year in Review

On the whole, my writing year was a successful one with few plot holes in my chapters.

I found a new market for reprint stories and was lucky enough to sell two before the publisher dissolved into dust, but not before I got paid.

The good people at Engen Books saw fit to award me first place in the inaugural “Engen Books/Kit Sora: Flash Fiction/Flash Photography” in March of this year with my piece entitled “Sea Monkeys”. Flash fiction has been a new skill for me to learn, one in which I find I enjoy, which led to myself and other members of my writing group (Genre Writers of Atlantic Canada) to host a flash fiction writing workshop at Hal-con this fall.

RL commitments cut into my writing time more than I would have liked, but I managed to “win” NaNoWriMo and even hosted a write in at my house with good attendance. Those same commitments curtailed my blogging time, a situation I hope will be different in 2019.

2018 also gave awarded me with the chance to be on the other side of the judging table. The team at Engen Books asked me to be a judge for two of the flash fiction contests held throughout the year. Being charged with putting a critical eye on other peoples work is more difficult than I imagined, there are many talented authors in our region.

So what do I have planned for 2019? More flash fiction, more short stories, and an honest attempt to turn my 2017 NaNoWriMo project into book 1 of a planned trilogy. There will be bumps along the road, but isn’t that the same in everyone’s life? The difference is having those who support and encourage you, and I’m gifted with a strong group of authors to cheer me on.

Writing level-up: I’s got me a editor!

While I have no ambition to be anything more than a part-time author, that doesn’t mean that I don’t want to be a GOOD writer, and for that I need help.

There is a very interesting anthology in the works (Chillers from the Rock), and I would like to submit a short story for consideration. I’ve gone through my story a couple times myself in an attempt to clean it up, “show NOT tell”, and even read it aloud to check for pauses and such.

I was going to run it through “Grammarly” and then send it off, but instead I decided to think about this for a minute, ok maybe more than a minute.

Almost every member of my online writing group uses an editor of some sort or another, and they have honest to goodness novels to their name. So I started sniffing around, asked some buddies what they used an editor for, and was quite surprised. Coherence, consistent voice, grammar, and spelling, all things that I need help with, though was surprised that they also struggled.

While they are “leap & bounds” ahead of me, I also realized that sometimes a writer can be too close to their work, too emotionally invested in it, and fail to see pitfalls.

So, I made some inquires, got a excellent recommendation of a freelance editor within my budget, made contact and am taking the plunge. I sent off my draft the other day, and am expecting a summary of the first couple pages by the weekend.

Whether of not my little story gets accepted in “CftR” or elsewhere has now become less important, making it a better story has.